Rising Gas Prices And The Future Of Comic Books
By Eli GreenJun 16, 2008 - 12:30
It seems everybody is talking about the rising cost of gasoline these days, and with good reason. Almost everything we do is somehow based around oil in some way or another. Whether it's used in the production of products we purchase every day or the shipping, receiving or most modes of transportation we use to go and purchase these products, oil is somehow involved.
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With all of these factors in play, it is quite likely that many consumers, even a number of avid comic book collectors and enthusiasts, will begin reconsidering that trip to their favourite comic shop. If these places are well out of walking or the average person's biking distance, that trip may no longer feel cost effective, especially with that gallon of gas costing almost as much as that latest issue of your favourite comic book.
However, the solution for publishers is simple when compared to possible solutions for other industries, because their products, like those of other print publishers, don't have to come in a physical form. And that's where digital distribution comes in. A number of comic book publishers have already begun publishing their properties online, as part of subscription services. Marvel Comics has its Marvel Digital Unlimited subscription service, giving users access to a number of Marvel Comics titles online, and DC Comics runs Zudacomics , which uses crowdsourcing to give unknown comic creators the chance to be seen and, possibly, published, while giving readers an easy way to view and vote for new comics.

Following a similar model to what Web comic creators have been doing for years, major publishers are just now beginning to give their readers access to their favourite comic books in a digital format, though they are actually making readers pay to read. Most Web comics, on the other hand, are available to readers anywhere at absolutely no cost, and they are extremely easily accessible, which is why they are the future of comics.
With Web comics, there is no need for readers to travel anywhere to go and find the comic they are looking for, often wasting time and gas in the process. Instead, all they need to do is head to the website of that Web comic and pick the strip they want to read. Not only that, but most Web comic websites give all readers complete access to that comic's entire strip archive, unlike subscriptions, which only allow users access to comic book issues they have purchased.
Digitally distributed comics also have the benefit of being able to be accessed from anywhere. While on a trip to New York City recently, I wanted to keep up with the latest comics from Penny Arcade , Ctrl+Alt+Del and No Reason Comics and, of course, that was no issue because they are all available online. You can be anywhere on the planet and, as long as you've got an Internet connection, you can stay up to date with your favourite Web comics. The same can apply for digitally distributed comic books from major publisher, as long as they use browser based viewing, even with subscription services. Even if you're traveling far away from home, if you've got Internet access you can log in and check the latest issues.
As gas prices continue to rise, comic book publishers will continue to find it more difficult to sell their wares, especially with less consumers willing to make the trip to go purchase them. Digital distribution will make it considerably easier and more appealing for consumers to begin reading those comic books. The Web also opens up a whole new world of fresh readers for these publishers to which they can market their characters. This is not to say that comic shops will become a thing of the past though. Physical comic books will still be quite collectible. But in a reality where it's starting to feel to expensive to make a trip around the block, comic book publishers would be foolish to look away from the Internet as the future of distribution.
Last Updated: Jan 7, 2012 - 7:41
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I would like to add DrunkDuckbubblegum to your list of online recommendations. Lots of good comics,and... well, I've been releasing my book "Panthea Obscura" (reviewed somewhat favorably here by the Comic Book Bin) for free over there:
bubblegum.drunkduckbubblegum/Panthea_Obscura
Drunk Duck is also another great example of crowdsourced Web comic portals.
It's a good thing I live in walking distance of my local comic shop. I guess not everyone can be so lucky.
... but not as such. You turned what could have been an interesting discourse on the economic impact on comic books to pimping web comics, an entirely different medium. Web comics are more akin to the funny pages in your daily newspaper, not comic books. Your comments would have been more relevant had you made it an article about the death of the newsprint media.
This post is ridiculous to any comic book collector. We would rather have own (not have "access to," but OWN. Comic book stores are not libraries, neither is any other bookstore. Does buying a house in a neighborhood allow you "access to" any other houses? No, they are not your house!) comic books rather than be able to have "access to" a digital copy.
While some margin of comic book readership might be well served by Marvel's subscription service, neither web comics nor Zuda comics should not be compared to comic books.
This turned out to be an utterly annoying bait-and-switch post with a syllogistic red-herring used to "prove" a point.
Eli's article did not show examples of that, but there are here.
The concept of owning a piece of hardware, an artifact, an object, is a must for many comic book collectors, but the parallel would be online music.
Are you adverse to buying music online? Probably not. Well, why should you be adverse to buying digital comics?
The format and support is but one issue that can easily be fixed. But when I look at the bigger picture, and this is what I believe Eli was looking at. Getting our comics digitally is inevitable.
However, it seems that you're really missing my point about where the industry is going. Consider this; comic book publishers don't make comic books for the sole purpose of giving you something to collect. They create comic books to sell you stories that will continually make you want to come back and read more. They want to do this for as wide an audience as possible. Digital distribution gives those publishers a much easier way of reaching their audience.
I do admit that a large number of Web comics are produced in single strip format, but there are also a lot out there that are just like print comic books, with front and back "pages" and everything in between. One example, since it's already in the comments here, is Mike Luoma's Panthea Obscura.
In other words, it seems you're confusing digital distribution with what you understand as an all encompassing explanation of Web comics. Digital distribution however, is exactly what it sounds like, a digitally distributed version of an analog product. You're buying the same thing, just in a non-physical and, yes it's true, non-collectible form.
Your thoughts?


