The Legend of the Legend of the Lone Ranger
By Philip Schweier
Aug 31, 2011 - 19:33
That daring and resourceful masked rider of the plains had enjoyed stellar success in his day. Created by radio scribe Fran Striker for WXYZ radio in 1933, the Lone Ranger was a mainstay of the Golden Ago of Radio until the show’s end in 1956. Concurrently, beginning in 1949, Clayton Moore began portraying the famous masked man in a TV series that lasted until 1957. Two feature films followed, co-starring Jay Silverheels as the masked man’s loyal Indian friend Tonto.
In the late 1960s and early ‘70s, both actors reprised their roles for a handful of commercials, most notably Aqua Velva and Totino’s Pizza Rolls. Moore also served as spokesman for Dodge, making personal appearances at auto dealerships all over the country (For a great story about such an appearance, click here.)
Moore was a rare personality in that he fully embraced the ideals of the Lone Ranger: honesty, good citizenship and justice. He served as a role model to millions of children who grew up watching the series over the decades. In between the occasional acting job, he continued to make personal appearances as the Lone Ranger at schools, hospitals and county fairs, thrilling fans of all ages with the blessing of the Wrather Corporation, which owned the Lone Ranger.
In the late 1970s, when plans for a new Lone Ranger film were announced, the Wrather Corp. secured a court order to prevent Moore from making personal appearances as the Lone Ranger. One might believe that having an independent individual make personal appearances on behalf of your movie would be a publicity bonanza, but the producers felt otherwise. They wanted to distance themselves from previous interpretations, and in their eyes, Moore’s efforts would only harm their film. It was believed that Moore’s association would undermine the new film, The Legend of the Lone Ranger (1981), and that some might think the film would star the 65-year-old actor.
In retrospect, one might question which is worse: to be kicked to the curb by the producers of this cinematic stinkbomb, or to be endorsed? Irate fans of the Lone Ranger rallied in support of Moore, encouraging the filmmakers to ally themselves with their hero, hoping he might be given some acknowledgement for his pivotal place in the character’s history.
During the run of the original series, Moore was inexplicably replaced by Hart in the title role. Some sources say it was due to a salary dispute, which Moore denied in his 1996 autobiography I Was That Masked Man. Perhaps the producers of the show at the time were merely trying to head off a potential salary increase by replacing him with another actor, but sharp-eyed viewers weren’t fooled by the mask. After two seasons in the role, Hart was gone and Moore reinstated.
So for producers of the 1981 film to acknowledge this “usurper” to the mask only aggravated fans further. But it was merely one of many poor choices in casting for the film.
Another questionable casting choice was Christopher Lloyd as the film’s villain, Butch Cavendish. Lloyd had achieved fame the lovable Jim Ignatowski on the ABC sit-com Taxi. While he later went on to become a highly respected character actor, the role of the drug-addled cabbie was still very fresh in the minds of the audience.
The film presented the origin of the Lone Ranger, in a long drawn-out sequence seemingly designed to explain every single facet of the legend, from the meaning of the term “kemosabe” and his friendship with Tonto to why John Reid (the Lone Ranger’s real name) was the pure-as-silver Western hero-in-the-making. By rescuing President Ullysses S. Grant (Jason Robards) from the evil clutches of Cavendish, the Lone Ranger is awarded carte blanch to operate throughout the West on the side of justice.
One noteworthy moment of the film was sequence in which stuntman Terry Leonard duplicated a stunt originally performed by master stuntman Yakima Canutt in Stagecoach (1939). It required Leonard to jump from his horse to the team pulling a stagecoach, only to seemingly fall between the horses and drop to the ground as the stage passes over him. Leonard had performed a very similar stunt in Raiders of the Lost Ark, which was released just a few weeks later. Nevertheless, the fact that action fans would see almost identical stunts in two separate movies left many moviegoers feeling one was merely copying the other. Granted, it could be argued they were both “borrowing” from Stagecoach, but Raiders of the Lost Ark certainly kept the stunt fresh, whereas Legend of the Lone Ranger merely copied it.
Inevitably, the movie opened to horrible reviews, unresponsive audiences and a lackluster box office performance. It disappeared quickly, becoming another statistic in red ink on the financial ledgers of The Wrather Corp. With a budget of $18 million, the film’s gross was $12.6 million, according to the Internet Movie Data Base.
But Klinton Spilsbury? He’s faded from sight altogether, leaving many a trivia master to ponder, “Who was that masked man?” According to the IMDB.com, he has never appeared in another film. Mr. Spilsbury, if you’re out there, let’s hear from you. No recriminations. You’re as much a victim of bad production choices as we audience members were.
Praise and adulation? Scorn and ridicule? E-mail me at firstname.lastname@example.org.
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