Review: Scooby Apocalypse #14
By Philip Schweier
June 14, 2017 - 04:00
DC Comics
Writer(s): Keith Giffen, J.M. DeMatteis
Artist(s): Ron Wagner, Randy Owens, Jan Duursema, Tom Mandrake
Colourist(s): Hi-Fi
Letterer(s): Travis Lanham
Cover Artist(s): Howard Porter; Cully Hamner
Aiding them is Barbie Daisy, the wife of Rufus Dinkley (Velma’s megalomaniac brother). He perished in a moment of insanity last issue (though this issue's cover might suggest otherwise). Now Shaggy has dibs on the grieving widow. She blonde; she’s built; she’s a bimbo. Though maybe less so, as the pharmaceutical buffet Rufus used to control her begins to wear off.
MEANWHILE… whatever happened to Scrappy-Doo? Well, here’s your answer, kids. What’s that? Is he less annoying thanks to Velma’s cybernetic implants? No, not really. Y’see, kids, Scrappy suffers from what we call Cousin Oliver Syndrome. It’s a ploy TV writers use to inject new life into a stale concept – just add a cute new cast member and watch your ratings climb. It worked for the Brady Bunch, for the Cosby Show – Superman Returns, not so much.
So now, Scrappy aint so happy with his role in the Scooby Doo franchise. Believe me, I know just how he feels. It’s unfortunate he’s yet to fall victim to the Chuck Cunningham Syndrome (that’s when a supporting character disappears without explanation, never to be seen again).
I am uncertain how much life this storyline has in it. Do the writers have an ending in sight? Do they have one in mind? Or is this a variation on the Walking Dead, which will fade once the odd fascination with zombies becomes a staggering, shuffling lifeless mass?
But until then, there’s still life in the Scooby Apocalypse story. It hasn’t jumped the shark yet. (That’s when – oh, never mind)
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