By Zak Edwards
January 29, 2008 - 21:01
Writer(s): Mike Carey
Cover Artist(s): Jock
I’ll be honest, the first thing I thought as I picked up the final issue of Faker was “Well, Mike Carey, let’s see if you can pull yourself out of this.” Cynical, I know, but this series started out so well and then became caught up in the science fiction element, creating very crazy situations that lost sight of the broader themes which were so well executed earlier on. But putting this comic down, I sat back and thought about the past six months I have spent following the characters Carey and Jock had created, where they ended up and what they tried to discuss, and for what the series is, this creative team made an intriguing story that holds up to the very high bar set by being put on the Vertigo Comics label.
Jock brings his very best to visually create what Carey was writing down. The more stunning shots are of the more gruesome moments in the book, something present in the first and second issues, creating a strangely beautiful out of the disgusting. The panelling present in certain sequences are pointed and intentional. One scene in particular of the death of a certain character comes to mind, the two main panels of the character running are distantly surrounded by smaller panels. The isolation and helplessness is conveyed almost solely through the panel choices over the pictures themselves. Jock’s heavily contrasted art coupled with colourist Lee Loughridge’s distinct palette creates visually effective art fitting to Carey’s script.
9/10 A stellar end to a series that (almost) lost its way.