By Leroy Douresseaux
May 25, 2008 - 15:41
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Starring: Harrison Ford, Cate Blanchett, Karen Allen, Ray Winstone, John Hurt, Jim Broadbent, and Shia LaBeouf
DIRECTOR: Steven Spielberg
WRITERS: David Koepp; from a story by George Lucas and Jeff Nathanson
PRODUCER: Frank Marshall
GENRES: Action, Adventure
Rating: MPAA – PG-13 for adventure violence and scary images
DISTRIBUTOR: Paramount Pictures
There’s that old saying, “you can’t go home again,” but you can. It’s just that the present doesn’t have the cherished golden glow of cherished memories of an idealized past. With that in mind, we have the return of Indiana Jones to the big screen for the first time in 19 years. This new film, Indiana Jones and the Kingdom of the Crystal Skull is the fourth in this film franchise. It lacks the old school, B-movie serial charm of the original Raiders of the Lost Ark (1981). It doesn’t have the gleefully and deliberately gruesome spirit of Indiana Jones and the Temple of Doom (1984), nor the comic charm of Indiana Jones and the Last Crusade (1989).
What Indiana Jones and the Kingdom of the Crystal Skull does have is entertainment value by the truckload. This pleasing popcorn movie has a mix of action, adventure, and nostalgia that turns it into the perfect summer romp for an afternoon at the movie theatre.
|The return of the hero.|
The new adventure begins in the desert Southwest in 1957 at the height of the Cold War. There, Indiana Jones (Harrison Ford) and his sidekick George “Mac” McHale (Ray Winstone) encounter the icy cold Soviet beauty, Irina Spalko (Cate Blanchett), and her elite military unit on a remote airfield. They want something from Indy, and in the end, he barely escapes the nefarious Soviets.
Afterwards, Indy returns to Marshall College, where he is known as “Professor Jones,” and finds that things have gone from bad to worse. The government is suspicious of Indy’s recent activities and forced Jones’ close friend and dean of the college, Dean Charles Stanforth (Jim Broadbent), to fire him. On his way out of town, Indy meets the rebellious young biker, Mutt Williams (Shia LaBeouf), who asks Indy for his help in a deeply personal mission. If he helps Mutt, Indy could very well make one of the most spectacular archaeological finds in history – the Crystal Skull of Akator, a legendary object of fascination and superstition.
As Indy and Mutt comb the most remote corners of Peru, Spalko and the Soviet agents are also hot on the trail of the Crystal Skull, which they believe can help the Soviets dominate the world, if they can unlock its secrets. Peru, however, is not only the home of the Crystal Skull, it is also the place where Indiana Jones makes a surprise reunion and learns an even more shocking secret, as he and his friends desperately battle to protect the powerful Crystal Skull.
Why keep pretending!? Karen Allen, as the original Indiana Jones heroine, Marion Ravenwood, is back, and that makes this somewhat inferior Indiana Jones sequel even more enjoyable. Throw in another secret, and Kingdom of the Crystal Skull is a must-see for Indy fans. Obviously many fans had questions and concerns coming into this new film. Chief among them would be the use of CGI. Between the time that The Last Crusade appeared and now, CGI has, for the most part, replaced practical and physical special effects in mainstream Hollywood films.
|The gang's all here: Hurt, Allen, Ford, LaBeouf, and Winstone.|
No, the use of CGI (which the filmmakers claimed was only used on 30% of the film) to create lush jungles, impossible fight scenes (like the sword duel between Mutt and Irina, most of it on top of moving vehicles), and exotic locales doesn’t ruin Kingdom of the Crystal Skull, although this flick lacks the grit and tough guy spirit of the other films. But let’s face it; Harrison Ford is no longer a spring chicken, so this film needs CGI slickness to give the action a manic video game feel to it. Kingdom of the Crystal Skull is a modern action movie, and all the quiet, dramatic moments are used to merely prepare us for the next death-defying chase, whereas they existed for themselves in the early films. Still, the modern touches work.
Set in 1957, the film drops many 1950’s cultural and pop culture tropes: Elvin Presley, B-movie sci-fi, aliens, Communism, bikers, etc. The fear of being turned into the other or being forced into a like or hive mind is prevalent, as is Steven Spielberg’s familiar motif that knowledge only robs reality of its sense of wonder (OK…). However, the age of their star Harrison Ford required the driving force behind Indiana Jones, Spielberg and George Lucas, to accept that it’s sometimes okay to grow up.
That’s why Indiana Jones and the Kingdom of the Crystal Skull is ultimately less a sequel than it is a coda or epilogue to Harrison Ford as Indiana Jones, which is likely the reason that Karen Allen/Marion Ravenwood, the most beloved woman in Indy’s life, is back. It’s time to grow up and movie on, and what a silly and fun send off this is. Flaws and all, Kingdom of the Crystal Skull is a good old American summer movie blockbuster. As the credits rolled on the film’s happy finale, I realized that Indy and I were going our separate ways, but with wonderful memories as parting gifts.