The Comic Book Bin
Search
Comic Book Bin 
 
 Comics
 Comic Reviews
 Marvel Comics (759)
 DC Comics
 Other Comics
 Back Issues
 Manga Reviews
 Comic News
 Spotlight
 Phil's Bubble
 European Comics
 Canuck
 Black Astronaut
 Comics 101
 Web Comics
 Comic Strips
 
 Action Figures
 
 Video Games
 
 Fan Films
 
 Movies
 
 Books
 
 Interviews
 
 About
 Classifieds
 Newsletter
 RSS

 
Comics : Comic Reviews : Marvel Comics
Last Updated: Jan 1, 2009 - 6:19:39 PM




Ultimate Spider-Man #128
By Zak Edwards
Dec 1, 2008 - 7:14:27 PM

Marvel Comics
Writer(s): Brian Michael Bendis
Penciller(s): Stuart Immonen
Inker(s): Wade von Grawbadger
Colourist(s): Justin Ponsor
Letterer(s): Cory Petit
Cover Artist(s): Stuart Immonen and Richard Isanove
$2.99 US
Email this article
 Printer friendly page

Add to Del.icio.us     Add To Reddit
Add To Digg     Add To Stumbleupon
Add To Technorati Favorites     Add To Ask


Bendis ends his War of the Symbiotes arc with a lot of bangs and crashes and, unfortunately for anyone who read Ultimatum #1, the big surprise ending was ruined already.  Go bad scheduling.  And while this latest issue of one of my favourite super-hero titles going is aesthetically pleasing, it has some serious flaws on the storytelling front.  But where Bendis comes up short in the script, Stuart Immonen draws what he does best, and the action heavy issue draws many of its strong point from the art.

D81Z4LBB9D.jpg
And short it is, the whole comic book can be read in about three minutes, no exaggeration.  There is heavy dialogue in the beginning and very end, but the majority of the issue is fighting.  Carnage vs. Venom, Venom vs. Spider-Man, Aunt May vs. Eddie Brock.  Yes, that’s right, Aunt May is one bad ass character and it is easy to see why she is so intimidating to all sorts of people, from Peter himself to the media mogul J. Jonah Jameson.  Her confrontation is one of the highlights of the issue.  But there are the weak points of the story.  The first problem stems during the fight between Eddie Brock, i.e Venom without the Venom symbiote, and Carnage, i.e Carnage with a whole lot of Gwen Stacey.  As soon as she touches him, its over as Eddie apparently had some symbiote in him all along and was not telling anyone.  While this may appear to be very sneaky on Eddie’s behalf, it comes across as a deus ex machina for Bendis.  An “it was there the whole time and I just didn’t tell you” is frustrating to say the least.  The other main problem I have with this issue is the out of nowhere, “Gwen is fine and everyone accepts it,” aspect of the conclusion.  While, like many other fans, most of whom were much more vocal, I did not enjoy the initial death of Gwen Stacey, I’m not sure bringing her back in such a strange way is good either.  That being said, I am torn.  I always enjoyed Bendis’ Ultimate version of Gwen Stacey and I’m glad she’s back in the sense of having more stories involving her.  I’m just disappointed in the how, but looking forward to how Bendis deals with things like her going back to school and such.  Despite these two major problems and the short length of the book, any action-packed issue of Ultimate Spider-Man has the wonderful talents of Stuart Immonen to rely on, so it is still a very enjoyable comic book.

Stuart Immonen has always excelled at the action shots in this series, and this issue is no exception.  The battle between the symbiotes, in all their gloopy red and black glory are very cool to see.  Immonen really abandons human anatomy for a lot of the fight between them, instead giving them a much more mythic look.  They are truly monstrosities Spider-Man in  no way can deal with and Immonen’s art really depicts this well.  Even when Spider-Man does interfere in their fight, it’s almost laughable because of how Immonen shows the two fighting.  And the new kind of Venom that is shown at the end of the issue is very different, evolving the look of the character.  The lettering of the Eddie Brock/ Venom character is very cool as well, with the tyoe of speech bubble fully reflecting Eddie’s surrender to the symbiote, from white, to white with a scratchy font, to full black bubble.  The art team in this issue really put forth something to be proud of.

7/10    Outstanding art, a story with a few holes but still enjoyable.


Related Articles:
Ultimate X-Men #99
Ultimate X-Men #98
Ultimate Spider-Man #128
Ultimate Spider-Man Annual #3
I Luv Halloween: Ultimate Twisted Edition
Ultimate Spider-Man #127
Ultimate Origins #5
Ultimate Spider-Man #126
Ultimate Origins #4
Ultimate Spider-Man #125



Comment Script Join the discussion:

Add a Comment

Comments


© Copyright 2002-2009, Coolstreak Cartoons Inc. - All rights Reserved. All other texts, images, characters and trademarks are copyright their respective owners. Use of material in this document(including reproduction, modification, distribution, electronic transmission or republication) without prior written permission is strictly prohibited.

Top of Page

The Amazing Spider-Man #582
It’s Spider-man versus the Molten Man as he tries to save Harry Osborne and his ex-wife and kid from the Molten Man
Wolverine: Switchback
Stop me if you've heard this one: a lone stranger rides his Mustang into town...
Fantastic Four #562
It's the funeral of the Invisible Woman! Do you need another reason? Probably, but the issue is still great.
Ultimate X-Men #99
The series continues its leap to the finish
Daredevil #114
All of Daredevil’s allies are still being hunted by the Hand, the evil ninja clan
Thor #12
Loki is about to set up his future by telling the young Loki what he needs to do to become Odin’s adopted son
Avengers The Initiative #20
It’s closure time for Hank Pym as he chats with his ex-wife trying to understand what happened to his world while he was a captive of the Skrulls
The Mighty Avengers #20
Hank Pym and the Avengers mourn the death of the Janet Van Dyne, the heroine known as the Wasp
Wolverine #70
To dream the impossible dream.
Captain America – Theater of War: America First
America First relates a forgotten era of Captain America
Ultimatum #2
At first I thought I had no words for this book, but then I found out I have lots.
Thunderbolts #127
As the team dissolves, this series continues to get more interesting.
The Wonderful Wizard of Oz #1
This latest adaptation of the children's classic features some jaw-dropping artwork to aid in a very original interpretation of Oz.
Spider-Man Loves Mary-Jane #5
Terry Moore and Craig Rousseau end their arc, but leaves readers wanting.
X-Men: Noir #1
Marvel's noir take on the X-Men doesn't talk the talk, but it looks the look (in technicolor).