That distinction now falls to DC Comics' Vertigo imprint Hellblazer. Which will itself probably cease to exist sometime soon now that John Constantine is part of an offshoot of the the Justice League and a regular denizen of the DCnU (or is it DCUn....or is it just simply NewDumpCraponUlongtimereader?). The only thing that spares Uncanny X-Men #1 from bearing the brunt of my recent free spewing bile (don't worry I'm almost over it...stay tuned for my final words on the whole DCU reboot debacle) is that it's not a reboot...it's just another "change to the status quo." Admittedly, I haven't read an X-Men book regularly in about 15 years. I've wandered back to the X-Men related racks at my local comic shop now and again over the years, but the history, the overwriting, and the excessive plot and character swings that each new writer who takes up the writing chores on Marvel's Merry Mutants seems to have to stamp upon the franchise are just too confusing and, in many cases, simply stupid. My affinity for Superman throughout the years has only been rivaled, and for a pretty substantial time period superseded, by the X-Men franchise though. I diligently read and collected Uncanny X-Men and New Mutants throughout the 1980s and early 1990s, and kept loose tabs on my second favorite heroes of all time throughout the years after Chris Claremont's exit from the series (I won't address his return...I'm almost out of bile...). While Marvel Comics' renumbering of their flagship series can only be seen as a sales gimmick, it looks like it has way more potential than the Don'tCraponUsplease reboot, and it is going to bring me back into the X-Reading Fold once again it seems. The key difference with Uncanny X-Men #1 is that it looks like a pretty interesting story and has a bona fide and superb writer behind it in Jason Aaron. The X-Event leading up to the relaunch of Uncanny X-Men is SCHISM. This event centers around Scott Summer (Cyclops) and Logan's (Wolverine) battle for the heart and soul of the X-Men. Yes, can anyone say Civil War X? The difference though is that this battle looks to be the product of a longtime tensions between the two, and hopefully (and this is just my hope) leads to a resurgence of Prof. Xavier as the X-Leader and a return to a Gifted School for Youngsters type setting that is sorely missing from any X-Title being published now. Maybe Magneto can take over Utopia and Prof. X can start up the school again? Maybe Uncanny X-Men can star Prof. X's group and X-Men can star Magneto's? Either way or anyway, Marvel Comics looks to be doing what DC Comics needed to do instead of relaunching its entire line with a bunch of screwed up looking versions of their classic heroes. Marvel Comics is providing a solid jumping (or re-jumping) on point for current or wayward X-Readers without destroying the X-Continuity (as frayed as it is), radically changing the mindset of any of the long term characters as radically as DC Comics is looking to with Superman, or alienating (and royally pissing off) long term readers.
I never thought I'd say this, but something other than a particular artist or writer's take on a Marvel Comics character is garnering my attention, and some of my potential comic book allotted spending budget. Copiel and Straczynski's Thor was the last Marvel Comic book to command my serious attention, but it was because of Copiel and Straczynski. FF has drawn my attention too, but Jonathan Hickman is the reason here (not the relaunch). True, Aaron is part of my re-emerging affinity for all things X, but it was the announcement of the re-launch, the superb new X-Men movie, and, more importantly, the interesting story that SCHISM is looking to tell leading up to this relaunch that are what might potentially return me to the fold of X-Men readers. Marvel Comics, if you're reading, here's your chance to win me back from all things DC Comics and give me the desire to once again "Make Mine Marvel." Don't screw it up. © Copyright 2002-2025 by Toon Doctor Inc. - All rights Reserved. All other texts, images, characters and trademarks are copyright their respective owners. Use of material in this document (including reproduction, modification, distribution, electronic transmission or republication) without prior written permission is strictly prohibited. |