Comic-Con and Superhero Burnout
By The Editor
July 21, 2010 - 07:02
Formula PR inc
The reality is probably a lot less cheerful. Oh, I’ve no doubt that you’ll always be able to find someone who's even more into the long-forgotten CGI Starship Troopers TV show than you are. I also have no doubt that people are incredibly friendly and that no weird intellectual property fetish can be too taboo. However, I also imagine that after day one, standing around in absurdly long lines so you can be shuffled into an overcrowded conference hall probably begins to grind down the enjoyment of being surrounded by people who are just like you. Plus, there has been a growing concern over the years that the San Diego con has become far too commercial, since all the major movie studios have turned it into their promotional springboard.
Since I don’t have to deal with any of those inconveniences, I’m free to get excited about Comic-Con — and the inevitable breaking news that comes with it — each year. This year, however, I’m a little less excited for some reason. I was going through the list of all the panel presentations that will be there and I really couldn’t find a handful of things that made me wish this had finally been the year I had bitten the bullet and made the geek pilgrimage to San Diego. I was trying to figure out precisely why that was the case when it dawned on me ... I’m kind of getting burned out on Superhero movies.
But even if I thought all the promo materials we’ve been shown so far actually looked amazing, I still can’t get past the decision to convert each of these films to 3D in post-production (The Green Lantern might be a native 3D production, I’m not positive, but the other three are definitely going to be conversions). I know Michele Gondry has sworn up and down that he shot Green Hornet with enough depth of field to properly allow for a post-production conversion, but I still just do not trust that cheaper, afterthought route.
I’m just not that interested in the super budget, high-profile superhero movies any more. I’m much more excited to learn about the smaller comic-based movies like, for example, The Goon, which is a CGI-animated feature produced by David Fincher about two guys (voiced by Paul Giamatti and Clancy Brown) who fight undead crime. Or how about Sam Raimi’s newly-announced futuristic western Earp: Saints for Sinners, which places a Wyatt Earp-type law figure at the center of Las Vegas, one of the few American cities that survived the apocalypse. I know next to nothing about Jon Favreau’s Cowboys and Aliens adaptation, so I can’t wait to hear about what he’s been up to now that he’s moved on from Iron Man. Hell, I’m more excited to see the (probably) straight-to-video 30 Days of Night: Dark Days than I am to see what Chris Evans looks like wearing Captain America’s suit.
I have little doubt that once all the trailers for this new crop of superhero movies start hitting, I’ll find myself warming to all the blockbuster spectacle they promise, but I’m just not there yet. I think we had a nice wave of superhero movies that were each unique in their own right; I would have loved to have seen them be their own little ka-tet of films, and not the forefathers of a new generation of (post-production) 3D superhero movies.
www.formulapr.com
Related Articles:
Mandrake the Magician: The first Superhero in Comics and Life
Bigs and Tiny: A New Superhero Bromance – Buddy Comedy
Bluefin Announces New Iron Studios Superhero Statues
Comics/Culture #5: Superheroes vs. #HeForShe
Dead Superheroes: Still A Good Plot Device?
Another Side to Me? - Superheroes' Secret Identities
Stan Lee's How to Draw Superheroes book review
Empire Superhero Preview
The Binquirer, July 25 Edition: Grant Morrison quits superheroes, Chik-fil-A fails to spin Henson Co announcement, Christian Bale visits Aurora, and much more!
Legion of Superheroes # 4