Part 1 of a piecewise review of Matt Wagner's Grendel Omnibus, Vol. 1: Hunter Rose
By Dan Horn
August 29, 2012 - 13:36
Dark Horse Comics
Writer(s): Matt Wagner
Penciller(s): Matt Wagner
Inker(s): Rich Rankin
Colourist(s): Chris Pitzer
Letterer(s): Matt Wagner
Cover Artist(s): Matt Wagner
$24.99
1986's stand-alone Devil by the Deed, which ran as a serialized backup in Wagner's Mage series (1984-1986), provides not only an introduction to lead character Hunter Rose, who is a kind of anti-Bruce Wayne/Batman, his enigmatic, lycanthropic foil, Argent, and Stacy, the orphaned girl for whom they both share a disturbingly amorous propensity, but also to the red and black dichromatic motif of Hunter Rose's chronicles. It is in the visuals that this opening installment shines. The chapter is a revelation in graphical storytelling, marrying a sequential narrative, able to inculcate its reader without a single word, with an art deco élan and assiduous design.
The written narrative accompanying the book's spellbinding panels, however, is where artist/writer Wagner blunders. That narrative is obscenely tumescent, even too hefty, dry, and uninteresting for its fictional guise of journalism. It is also impossibly complicated, breezing through Hunter's convoluted origins and subsequent career as the criminal mastermind Grendel to an endpoint that will either find you confused, apathetic, inadvertently snoozing, or a bit of all three.
If you do pick up Grendel Omnibus, Vol. 1: Hunter Rose, it is worth glossing over these pages for the artistic tour de force on display, but the bloated reading experience itself might just spoil your appetite for more Hunter Rose.
The next part of this piecewise review will cover Grendel: Black, White, and Red, a series of vignettes written by Wagner and illustrated by a bevy of the industry's best artists.
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