Infinite Vacation #3
By Zak Edwards
November 3, 2011 - 11:17
Image Comics
Writer(s): Nick Spencer
Penciller(s): Christian Ward
Letterer(s): Jeff Powell
Cover Artist(s): Ward
$3.50 US
It has been an extremely long time since the last, also delayed issue of Nick Spencer and Christian Ward’s “Infinite Vacation,” and I am feeling like the book’s tone and attitude are not as I remember them. I will openly admit that I haven’t reread the original two issues, as maybe I should have, but the book feels different, but I’m not sure this impacts the book as much as the delays have in other ways.
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However, the book transfers quite quickly from this humour to an extremely disturbing scene involving the antagonist, a serial killer Mark, raping another Mark and castrating him, all with alarming detail. I’m not attempting to make any sort of moral judgement, which would be entirely unproductive, but the sudden shift is jarring in itself. Coupled with the plot recap, the book is a little all over the place. On the other hand, the artistic deviations, principally the video for the singularists and the explanation of a singular universe, are welcome and well constructed elements that both drive the plot forward and add to the experience. While the explanation as to why the singularists are right was fairly complicated for someone with little experience in physics, the ideas are interesting and I appreciate the willingness to experiment with the comic form. Overall, the book needs to get back on it’s feet, the delays are felt throughout and this book, easily one of the best mini-series this year, is falling sideways.
Christian Ward’s art was less stunning this issue, it feels rushed despite the long delays, which I suspect are due to Nick Spencer’s rocketing career at the larger publishers. I appreciate his approach to colouring and detail, the book still looks really good, but relative to his earlier issues, this doesn’t astound. A lot of pages are constructed fairly generically, relying on repetitive images of talking heads to convey Nick Spencer’s long expositions and conversations. For an artist who seems to enjoy experimentation, these panels and pages could have looked better with differing angles or really anything. Of course, there are other places where Ward does try out things, some work really well, some don’t, but I appreciate the attempt more than anything else. Overall, the art is kind of like the script: a little jarring, not up to previous quality, and still better than most things on the shelf.
Grade: B- Still good, but I know it could be so much better because they’ve proved so before.
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