The Comic Book Bin
Spotlight (275) Articles


TopShelf Month

Darkhorse Month

Women's Month


 
Comics : Spotlight
Last Updated: Oct 20, 2009 - 7:25:21 AM




A Manifesto Against Trade Paperbacks
By Patrick Bérubé
Jun 1, 2009 - 5:00:00 AM

Email this Article
 Printer Friendly Page
 Mobile Friendly Page

Add to Del.icio.us     Add To Reddit
Add To Digg     Add To Stumbleupon
Add To Technorati Favorites     Add To Ask


In the last few months, I have read many articles about the lasting debate of reading comic books in their monthly format (aka pamphlets or floppies) or in their collected trade paperback (aka TPB) form. Most of these articles were in favour of the ''wait for the trade'' attitude, citing arguments such as price, availability and the format itself. Even if I have to agree with some of these arguments, I'm definitely leaning toward the monthly installment and here is why.

USM1tpb_250x400.jpg
As good as it is, it is not a graphic novel!
TPB (trade paperback) vs. OGN (original graphic novel)

First of all, let's clarify something. A trade paperback is a collected edition of some previously published material, while an original graphic novel is something not previously published and is intended to be read as a whole. Many publishers do tend to use the term graphic novel on almost everything now mainly because it just looks more prestigious and serious, but this difference is, in my mind, fundamental in this debate since both are different in nature. And if I abhor the former, I particularly appreciate the latter. So don't accuse me after reading this article of condemning both.

The arguments in favor of the TPB

Most of the arguments in favor of the TPB are solid but, with some exceptions, are mainly points of view and could be easily overturned.

The first argument that often pops up is the price. I have to admit that sometimes, if you look at the cover price of a trade paperback you could feel like you had been robbed if you bought the same comic books in it's monthly format. Especially if the publisher drops the price on the first volume to get new readers, like it was the case with Northlander Volume 1 from Vertigo Comics. With an introductory price of $9.99 for the collected 8 issues, it's a real bargain compared to the $23.92 ($2.99 x8) I had to pay for the same eight single issues. However, this is an exception and most publishers list their trade paperback between $14.99 and $18.99 for a six issues collection, which is almost the same price you would pay for the monthly format. Amazon offers discount on books? Well, so do most retailers when you subscribe to a pull list service. And if you are willing to wait a bit longer, single issues cost a fraction of the cost when they end up in the back issue bin (or on eBay). Selection is not always diversified, but it's a great place to discover and try new stuff.

Another argument is that the trade paperback format is more durable, it looks better on a shelf and essentially contains a whole story. For the durability, comic shops often offer bags and board for a couple of pennies that will make sure your comic book remains intact. It can't stand on a shelf? Yes it can, as you can see of in a picture of mine. It doesn't look good as a TPB? Luckily I buy my comic books to read them and not to put them on display. It creates a cover roll when comics are stored in a long box or on a shelf? Why do you care if you are not a collector anyway? And as for the TPB containing a whole story, it might be true but it's often not self-contained and you have to read a couple of other volumes to understand what's going on, especially with major publishers' super-hero titles.

Shelf_3.jpg

There is also another argument that may not be an argument at all but is worth mentioning. American readers might not notice it, but if you go to Europe or elsewhere and ask a comic book reader about American comics they will be quick to point out that the format which is quite different from what is done in other countries. This is a uniqueness that might not be fully exploited by publishers and that holds a significant cultural importance. I'm not saying we should only stick to the monthly format but we should at least try to use its strengths and market it properly. After all, if you compare the page/price ratio, American comics are notoriously cheaper and, more and more often, better than their mainstream European counterparts.  

Y_the_Last_Man_1_250x400.jpg
This series was, in my mind, meant to be read monthly
But even with everything I said above the main reason I prefer the monthly format over the trade paperback is the reading experience. When a skillful writer knows how to make the most of the format, the monthlies can provide a far better experience since the shorter installment is meant to give you a glimpse of a greater story and to create excitement. For example, I could not imagine reading Brian K. Vaughan's work in TPB since the many cliffhangers he uses are an integral part of the pacing and of the mood. For a month I can ponder what's going to happen or what everything is all about. Moreover, what is worse than having a good cliffhanger and it's resolution on the next page? I could also add how boring it is to be reminded six times who the main character is every 22 pages of a TPB.

Even if my opinion seems pretty clear I sometimes buy trade paperbacks too. I prefer the pamphlet, but I can agree that the TPB has some advantageous qualities, like the availability. I just felt here that I needed to defend my preference since everyone seems to think that the pamphlet is a relic of the past and that it is doomed. I prefer to believe that if properly used, the monthly format can be very entertaining and exciting.

I also would add that I did not take the business model into consideration here. I'm a reader, not a dealer.



Related Articles:
A Manifesto Against Trade Paperbacks
RUNNERS TRADE PAPERBACK AVAILABLE FOR PRE-ORDER NOW
Are Trade Paperbacks the Future of Comics?



Comment Script Join the discussion:

Add a Comment

Comments

Great article - using Y The Last Man as an example of the strengths of the monthly format was very smart. You hit the nail on the head with that one.
#1 - Avi - 06/01/2009 - 12:18

© Copyright 2002-2009, Coolstreak Cartoons Inc. - All rights Reserved. All other texts, images, characters and trademarks are copyright their respective owners. Use of material in this document(including reproduction, modification, distribution, electronic transmission or republication) without prior written permission is strictly prohibited.

Top of Page

Hidden gems
Some of the Comic Book Bin's reviewer share with you their hidden gems, comic books that have been overlooked but who are worth hunting down.
The Cult of the Comic Book Creator Part Two: Vassals and Middlemen
These debates about the nature of comic books and the industry created around it in North America still fight what I consider old battles about identity and how the individual relates to comic book
Comics Legend John Byrne
John Byrne appeared on the comics scene when he illustrated a two-page story which appeared in Nightmare #20, published by Skywald Publications
Comics legend John Buscema
A short biography of Comic books legend John Buscema
The Cult of the Comic Book Creator Part One
Are comic books created by their original creators better than company owned ones?
Copyrights and Comic Book Creators: Be Careful What You Wish For
Cheering for the rights of the estates over copyrights today may create an environment that is totally closed and against their very interests in the future
Should Marvel Comics Buy Boom Studios?
Will Marvel Comics repatriate the Disney comic book licenses owned by Boom Studios?
It's an Exciting Time To Be a Comic Book Bin Reader!
Let me take a few minutes of your time to tell you how exciting is The Comic Book Bin right now
Warner Bros. creates DC Entertainment Inc.
Warner Bros. responds to Disney's acquisition of Marvel by creating a new company to attempt to match the Power of the Mouse behind the House of Ideas.
Should the Ultimates Have Saved America?
A reflection on Mark Millar's Ultimates, American global policy and the legitimacy of the superhero.
The Mouse Owns Marvel
Disney acquires Marvel. What does the Mouse mean to the men at Marvel?
Panel Wars Marvel vs. DC
At the 2009 Fan Expo an epic battle between two bitter enemies took place. Who will win the PR war?
Response To Tom Spurgeon: Copyrights, Superman, and the Estates of Siegel and Shuster
Response to Tom Spurgeon's essay "Truth, Justice And Superman Is Totally Ours, You Stinky, Greedy Siegel Family"
Prelude to Blackest Night: The Sinestro Corps War Vol. 2
Part Two of the biggest Green Lantern event at the time, and Part Three of what has become the Prelude to Blackest Night. An epic with a very important message.
Superman – More Copyrights Stupidity
US. Federal Court renders Justice of King Solomon judgement crippling Superman for all parties and the character's comic book readers.