It’s a pre-Valentines love story, as one-time love Mistah J comes a-calling, in the hope making amends with his former squeeze. But Harley aint havin’ it, making it clear that his psycho-fueled betrayal pushed her beyond the limits of their relationship. Still, she agrees to hear him out before sending him on his way. But not before the run-down Harley has a few zzzs to keep herself in the best frame of mind (see last issue).

So Harley awakes, delayed by would-be beau Red Tool, who has mischievously re-set her alarm clock (what a joker). She finds her former flame and current tool duking it out among the dunes of Coney Island. Angry with Red for his alarm clock cock-up, she takes Puddin’ home to clean him up, and deliver his final come-uppance.

One thing I found difficult to comprehend is how someone as notorious as the Joker could wander about Brooklyn without drawing much attention. “OH MY GOD! It’s that homicidal maniac, the Joker! Run for your lives!” But then I thought about it. For one thing, it takes a lot to get a reaction from New Yorkers. Secondly, why should believe the guy is THE Joker?  So far as they care, it’s some wannabe clown looking for attention.

It’s a funny little tale, a pleasant diversion as we set out on our next story arc. Newly-minted mayoral assistant Madison Berkowitz has formulated an innovative answer to the city’s homeless population – one that’s bound to draw unwanted attention should the details become public.

The Harley Quinn series overall has been entertaining in an Archie sort of way. Interesting events, preposterous scenarios and LOTS of character development. I’m just a bit confused by the opening sequence. It begins in Red Hook, with the dockside arrival of Ms. Berkowitz’ solution, in the glare of the full moon. Meanwhile, at high noon on Coney Island, Red Tool and the Joker tete-a-tete is about to go mano y mano.

It seems like a rather glaring faux pas on the part of Connor & Co., but I remind myself – it’s just a comic book.