Review: Bombshells United #7
By Philip Schweier
December 6, 2017 - 15:43
DC Comics
Writer(s): Marguerite Bennett
Artist(s): Richard Ortiz
Colourist(s): J. Nanjan
Letterer(s): Wes Abbott
Cover Artist(s): Emanuela Lupacchino, Laura Martin
With
the first several issues being Wonder Woman-centric (indeed, most of last
summer has been), Bombshells switches
gears, focusing instead on the mysterious Batgirl – or so I thought. She has
red hair, why wouldn’t she be Batgirl. No, she’s Batwoman; or at least the 1940s analogue.
It’s a tail of intrigue and espionage, she has sneaked into war-torn Spain, where she is reunited with former lover Renee Montoya in the hopes of freeing the nation from Generalissimo Black Adam.
I like Richard Ortiz’s artwork. I think it works very well for the subject matter. It’s kind of a P. Craig Russell meets Hergé. Here’s hoping we see more of it.
My only grievance is the general openness Kate Kane and Renee Montoya display in the alternative lifestyles. I find it hard to believe the 1940s (even in an alternate timeline) would be so tolerant. Bu8t that’s the beauty of alternate realities – anything goes. I like the notion of DC’s heroes and villains switching partners from time to time. I’d like to see more of it in the mainstream DCU.
Rating: 8/10
Related Articles:
Review: Bombshells United #19
Review: Bombshells United #18
Review: Bombshells United #17
Review: Bombshells United #16
Review: Bombshells United #15
Review: Bombshells United #14
Review: Bombshells United #13
Review: Bombshells United #12
Review: Bombshells United #11
Review: Bombshells United #11