More Comics Red Spike Volume 1 By Leroy Douresseaux April 28, 2012 - 13:32 Publisher(s): Image Comics Writer(s): Jeff Cahn, Dave Elliot Penciller(s): Salvador Navarro Inker(s): Salvador Navarro, Mark Texeira Colourist(s): Ifansyah Noor Letterer(s): John Aitken Cover Artist(s): Mark Texeira ISBN: 978-1-60706-487-9 $14.99 US, 144pp, Color, paperback Red Spike Volume 1 cover image Red Spike is a five-issue comic book miniseries produced by Benaroya Publishing and published through Image Comics.  Created by Michael Benaroya and Jeff Cahn, the series is set in a secretive black operations program called Red Spike.  The entire miniseries was recently collected in the trade paperback, Red Spike Volume 1. Project Red Spike, like many over a 70-year period, was started as a program to create the first super-soldier.  Using a process that manipulates and regulates the adrenal gland in human males, Project Red Spike actually succeeded in creating a super-soldier, and they did it twice.  Now, Colonel Moyer, the hard-nosed prick who controls Red Spike, is testing the limits of his two new super-human toys, Gregory “Greg” Dane and Matt Cutler.  But there are complications, of course. Greg is having an affair that turns into a full romance with Dr. Margaret Downey, the woman who is supposed to be monitoring his (and Matt’s) mental health.  Dane isn’t exactly the obedient solider, and as his behavior grows more insubordinate, he clashes with the straight-arrow Matt Cutler, who obediently follows orders and instructions.  Colonel Moyer, who now sees Dane and Cutler as his property, seeks to further experiment with the limits of how much Red Spike can alter these two young men.  Meanwhile, Henry Coughlin, formerly directly involved with Project Red Spike, plots to wrest control of the program from Moyer. My first encounter with Red Spike was the third issue.  I noted that it had the “rock solid plotting found in tightly-written, big-budget action movies.”  I also mentioned that it had “elements of Captain America and the Jason Bourne films,” and that “it most reminds me of Universal Soldier, the 1992 Van Damme film.”  I wrote, “Like the Van Damme films from the late 1980s to the mid-1990s, Red Spike is violent and testosterone-filled, but with a humanist lead character who fights because he must.” Now, that I’ve read the entire miniseries in Red Spike Volume 1, I have to reassess.  As a whole, personally, I find the series lacking in action scenes, considering that this book is about a super-soldier program.  Artist Salvador Navarro and Mark Texeira offer a few nicely composed fight scenes that left me really wanting more. This is not to say that Red Spike is overall lacking in pleasures.  Despite what the covers for the miniseries suggest, Red Spike is a science fiction/military drama mixed with the elements of a workplace drama and a political soap opera, and it is fun.  I enjoyed the backbiting and squabbling.  Writer Jeff Cahn sometimes cut back and forth between two scenes, each scene featuring a character doing something to defeat the other character.  This reminds me of the best inter-office politics moments of the 1995 film version of Clear and Present Danger. In my earlier review, I describe the art by Navarro and Texeira as “uninspired” and wrote that it “put a damper on my enjoyment” of the series.  Now, that art seems perfect for what Red Spike really is, which is a thriller more than it is an action comic book. A- www.benaroyapublishing.com   © Copyright 2002-2026 by Toon Doctor Inc. - All rights Reserved. All other texts, images, characters and trademarks are copyright their respective owners. Use of material in this document (including reproduction, modification, distribution, electronic transmission or republication) without prior written permission is strictly prohibited.