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 Punks: The Comic #2 cover image |
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Rated T+ / Teen Plus
The second issue of Punks: The Comics has arrived. This new series is actually a revival of writer Joshua Hale Fialkov (The Ultimates) and artist Kody Chamberlain's (Sweets) 2007 small press comic book, Punks. Chamberlain produces Punks' “original art” by cutting up various photographic images and compiling them to create the characters, settings, and storytelling. Punks may be part of what Wired Magazine called “cut-and-past” culture. Punks: The Comic stars the screwy quartet of Dog, Skull, Fist, and Abe Lincoln.
As Punks: The Comic #2 opens, Skull and Abe witness the arrival of “Superdog,” who drops from the sky like a falling star. This new-fangled canine looks almost identical to Dog. Perhaps, he will be a better roommate than plain-ol' Dog; at least, Fist agrees. When Superdog's true colors are revealed in a yellow stream, the out-with-the-old Dog will have to stop the in-with-the-new Superdog.
[Punks: The Comic #2 includes some story pages from the original Punks comix.]
THE LOWDOWN: The cut-and-paste, do-it-yourself aesthetic of Punks: The Comics seems a little strange at first, but this is a comic book that gets better with each issue. “Irreverent” does not seem to be a strong enough word to describe the kind of humor produced by Fialkov and Chamberlain. And “witty” sure as hell doesn't hack it.
For me, the animations that Terry Gilliam created for Monty Python's Flying Circus and Monty Python, in general, come to mind when I read this comic book. Punks is pungent and potent like British satire and as beguiling as the best of it. Indeed, it is as if Fialkov and Chamberlain have formed their own surreal comedy troupe. Punks certainly seems like the beast that will devour the staid yuck-yuck pamphlets that pass for humor in American comic books.
POSSIBLE AUDIENCE: Readers looking for something truly different and truly good in comic books will want Punks: The Comic.
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