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DC Comics
Review: Raven, Daughter of Darkness #8 of 12
By Philip Schweier

Sep 26, 2018 - 6:06

Publisher(s): DC Comics
Writer(s): Marv Wolfman
Artist(s): Pop Mhan
Colourist(s): Lovern Kindzierski
Letterer(s): Saida Temofonte
Cover Artist(s): Cully Hamner


raven-daughter-of-darkness-008.jpg
Baron Winters continues to build his new Night Force, which includes Raven, even though she was resistant to the idea as of last issue. But with growing casualties in the Magical war that seems to be raging, Raven can’t help but be drawn into the conflict. As for the other recruits, it’s a mixed bag of old (Klarion the Witch Boy) and new (Traci Thirteen).

 

Together, they must stop the Shadow Riders (kind of like the Dementors from Harry Potter) from assassinating the mystical beings of the DCU. One of their intended victims is a young man named Robert, whose husband Luis (okay, so he’s gay, no big deal) may have fallen victim to the Shadow Riders. But Raven is able to rescue him, and reunites the two who immediately embrace and kiss.


It’s a superfluous depiction, because yeah, their gay, we already got it. It’s not that I have any issue with the LGBTQ community (I honestly don’t consider other peoples' sexuality any of my business). But I DO object to comic book writers and artists whose imagination is so limited, their best means of portraying a homosexual character is to depict a same-sex kiss. In my opinion, it's superfluous. The point was already made that Robert was gay, so in my opinion, the kiss is  superfluous and gratuitous.


But this superfluous depiction is watered down by another, in which we are introduced to Sky, an air elemental, who immediately is trounced by a Shadow Rider.

 

Robert is untrained in his magical abilities, so it’s no problem for Baron Winters to push the young man past the point of rational thought, unleashing his rage-fueled power. It comes in handy when a Shadow Rider attacks the group in Baron Winters’ stronghold. But its defeat may unleash an even more powerful dark magic – something the Baron has been counting on.

 

Subterfuge and manipulation are tools in Baron Winters’ battle against the forces of evil. And he makes no bones about it. It’s refreshing to see an anti-hero own up to their less-than-desirable strategies. Not everyone can be as up front as Superman, or as crafty yet pure as Batman. Seeing someone unabashedly use and abuse the tools at their disposal – human, magical and otherwise – is refreshing.

 

There are times when the artwork reminds me of the work of Gene Colan, who drew the original Night Force back in the early 1980s. He’s also known for his work on Tomb of Dracula, one of Marvel’s horror titles, so the supernatural seemed to come easy to him. While Pop Mahn’s style is somewhat inconsistent – his renderings often appearing stiff and inert – he seems to have grasped the nuances of the supernatural quite nicely.

 

Rating: 7/10



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