Marvel Comics
Amazing Spider-Man: Extra! #2
By Hervé St-Louis February 3, 2009 - 23:19
Publisher(s): Marvel Comics
Writer(s): Dan Slott, Zeb Wells
Penciller(s): Chris Bachalo, Paolo Rivera
Inker(s): Tim Townsend, Jon Sibal, Jaime Mendoza, Chris Bachalo
Colourist(s): Antonio Fabela, Chris Bachalo
Letterer(s): Rus Wonton
Cover Artist(s): Stéphane Roux
$3.99 US
Spider-man Extra is an irregular series published by
Marvel Comics containing stories about Spider-man and that set up future plot
elements in the regular series or feature single stories. In this issue, Eddie
Brock, the man formerly known as Venom who has now become the benevolent
Anti-Venom is looking for the villain responsible for a new type of drug in the
streets of New York. However, what he finds may make him renounce his vows to
be a force of good. In the second time, Spider-man enjoys a bromance with
Wolverine.
The story of Eddie Brock, I hope will see the return of
the original Venom as Venom. I’m not thrilled about his replacement in the Dark
Avengers. It’s a good story that introduces several plot point that will surely
be interesting to follow up on when they appear in the regular Spider-man
series. I didn’t read half of the captions, as they were useless, and that
tells a lot about a writer. It’s not that he fills his pages with nonsense. It’s
just that sometimes, writers need to zip it and let the artist tell the story.
The bromance story with Spider-man and Wolverine feels
like something I have read several times before. Just like an old Gotham Knight
issue featuring Batman and Aquaman on the former’s birthday, the jerk in the
story, Wolverine acts like jerk, never telling why he asked Spider-man to keep
him company. It’s a feelgood formula that seems to work, as it’s been used so
many times. We learn a few tidbits about Wolverine and his relationship with his
family but nothing else. Still, it’s a fun story.
I don’t like Chris Bachalo’s work. If an artist ever
needed to take storytelling lessons, it’s him. With him everything becomes
complex and as a reader, I spend more time trying to decipher what he drew than
enjoying myself.
Rivera is not a master storyteller himself – the scene
where Wolverine is shot in the head is unclear. However, his work is more kinetic
and his panels less filled with useless visual information, the way Bachalo
fills his. I do like his interpretation of Wolverine. He looks more human than
super heroic.