By
Mark Allen
May 29, 2009 - 07:52
Val Mayerik started his professional comics career in 1972. Fresh out of college, he became an assistant to comic book artist Dan Adkins (who mostly inked for Marvel), and began his own penciling career soon after.
As a preteen, I discovered his work while thumbing through a garage sale copy of Marvel Comics’ Supernatural Thrillers #11. The striking realism and drama he brought to that particular Living Mummy story leaves an impression on me to this day. With a style that is anything but simple, and nowhere near “cartoony”, Mayerik’s work lent itself to the darker, more suspenseful and more horrific corners of comicdom. His monsters were as frightening as anything on the big screen at the time, his settings were foreboding and unsettling, his women were beautiful and his men were heroic, barbaric, demonic or whatever else they had to be. The level of talent he achieved in such a short time is unusual, even to this day.
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