1602 # 2
By Loretta RamirezSep 15, 2003 - 16:25
Clouds continue to gather, but the thrill of a pending storm slowly dissipates. In Part 2 of 1602, writer Neil Gaiman and illustrator Andy Kubert resume set-up for their Elizabethan superhero saga, but lose momentum and novelty in the process. Although this issue remains beautiful and charming, it feels more like an introductory than did Part 1."Prolonged" is the key description for this issue. The focus is on characters already well-established in Part 1. These characters are explored slightly further and a few others are introduced-most notably a playfully philosophical Beast and melodramatic Count Otto Von Doom. Yet, the plot advances little, thus deflating the excitement so impressively built in Part 1. Even Gaiman's prose, though witty, has significantly dulled.
Kubert's art remains exquisite. Faces are expressive, particularly that of the devoted and protective Rojhaz. And throughout, there's an impressive tangibility of light that penetrates the murky dark, a strong hint of forthcoming heroics. Also noteworthy are the timeless costuming of the mutants and Von Doom. However, mirroring the writing, the art is consistently pleasing but offers no standout scenes.
Overall: B
Last Updated: Jan 7, 2012 - 7:41
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